The gleefully inventive Rye Lane is full of good chemistry and good vibes.
Finally, a fantasy film that’s not embarrassed of itself.
How can a film based on a game about perfectly interlocking pieces be so messy?
The hit man faces off with his scariest foe yet: his own weariness.
Lady Gaga’s minimalist rendition of “Hold My Hand” stood out even in a night of unpredictable musical moments.
Everything Everywhere All at Once got its fairy-tale ending.
Ke Huy Quan’s and Jamie Lee Curtis’s affecting Oscars speeches underscored just how much each actor deserved a happy ending.
The satirical horror franchise is becoming as bloated as its source material.
… and also who should win.
Oscars speeches are immortalized online, and I can’t stop watching them.
All Quiet on the Western Front falls into a classic war-film trap: all flash and hardly any feeling.
Michael B. Jordan’s directorial debut gives new energy to old sports-movie formulas.
The Nobel Prize–winning author’s work has long had a symbiotic relationship with cinema. His Oscar-nominated film, Living, is the logical next step.
Most true-story films are functional to a fault. These ones break the mold.
The actor and comedian on aging in Hollywood, her recurring nightmare, and the origins of her sweet sense of humor
Elizabeth Banks has promised her viewers no more than a bear on drugs, and a bear on drugs is what they get.
Twenty-five years ago, the movie turned tragedy into romance. Today, that alchemy takes on a darker absurdity.
What we lose when intimacy gets added in postproduction.
Return to Seoul is a story of adoption and belonging that resists easy sentimentality.
A new film about Emily Brontë offers a fresh, provocative look at the misunderstood Wuthering Heights author.