A speculative theory holds that Maria Vermeer was not only a model for her father but also an artist who created several of the paintings attributed to him. Could it be true?
Look at these unfiltered photos of a bygone era. Then look again.
And that’s how it should be.
That feeling—of being in the presence of something vast—is good for us. And, counterintuitively, it can often be found in completely unremarkable circumstances.
OpenAI says programs like DALL-E 2 will “democratize” art.
The late graphic designer George Lois profoundly influenced generations of artists.
Smearing soup on paintings is a stunt. What does real work look like?
A land-art installation that allows just six visitors a day simultaneously protects the artist’s vision and re-creates the art world’s penchant for exclusion.
Milton Gendel’s archive offers an acute vision of 20th-century Rome—from a distinctly American perspective.
These images reveal our nation’s most persistent tensions.
A museum-security expert admits that “it’s pretty darn hard to protect a painting from somebody throwing a can of soup at it.”
In the 1980s, the photographer Jack Lueders-Booth captured life along the city’s Orange Line.
A museum curator was forced out of her job over allegations of racism that an investigation deemed unfounded. What did her defenestration accomplish?
Without strong fair-use protections, a culture can’t thrive.
Expect AI art to go the way of Warhol.
A prolific AI artist shares his perspective on the controversial medium.
Baldwin Lee’s rediscovered photographs are marked by moral clarity and rare intimacy.
The repatriation of stolen objects has become a ritual of self-purification through purgation—but who it really serves is less clear than it might seem.
Daisy Lafarge’s new novel makes it impossible to separate the art from the artist.
Picasso’s giant mural about the horrors of war left its first viewers cold. How did this painting become one of the most important in the history of art?