There’s a reason the AI writes pretty awful verse.
Remembering the poet and novelist James Dickey on his centennial
One hundred years after the publication of The Waste Land, its vision has never been more terrifying.
When the revolutionary intellectual found her voice, she helped a generation of Black Kentucky women writers find theirs too.
A former U.S. poet laureate’s new memoir reflects on the power of storytelling to help us grieve—and offers lessons for surviving the cataclysms of the present.
After eight years of letter writing, the author Thomas Wentworth Higginson finally met the reclusive poet face-to-face.
He’s best known as an award-winning young poet, and he’s now getting attention for his novel, On Earth We’re Briefly Gorgeous. But I first knew him as a talented writer a couple of years ahead of me in high school.
In his work for The Atlantic, W. S. Merwin often wrote about time slipping away and goals remaining just out of reach.
The Pulitzer Prize–winning poet, who died last week at 91, found an enduring language to express his anguish at what human exploitation has done to the world.
A new collection of essays attempts to lend some objective shape to a timeless-seeming challenge: the ongoing balance of voice and form.